Ernest Race Collection

Introducing the Flamingo classic armchair, an enduring icon of minimalist elegance and comfort. Designed by Ernest Race in 1955, this timeless piece seamlessly blends mid-century sophistication with modern allure. Winner of the prestigious Design Centre Award in 1959 for its innovative use of materials, Flamingo remains a symbol of style and enduring quality. Elevate your space with this distinguished classic armchair and discover the perfect balance of vintage charm and contemporary sophistication. The Flamingo armchair is also available as a sofa.

Introducing the Roebuck retro stackable chair – a timeless fusion of understated elegance and durability. Crafted from high-quality materials, this classic piece seamlessly blends into any space, adding an iconic touch to your environment. Available in a diverse range of wood veneer and paint finishes, this retro stackable chair allows for effortless customisation, ensuring it harmonises perfectly with your space and brand identity.

Introducing the BA3, an iconic chair meticulously crafted as Ernest Race’s first design for Race Furniture. Engineered by Ernest Race and Noel Jordan, this restaurant chair stands as one of the world’s pioneering mass-produced chairs. Its post-industrial aesthetic, seamlessly paired with an elegant silhouette, exudes timeless sophistication. A testament to its enduring allure, the iconic chair continues to grace restaurants, workplaces, and homes globally.

The Antelope café chair is a timeless blend of elegance and functionality. Originally designed by Ernest Race in 1951, this iconic café chair exudes sophistication with its playful sculptural form and distinctive ball feet reminiscent of the era’s molecular and atomic influences. Winner of multiple design awards, the Antelope is a versatile choice for cafes, restaurants, and offices, seamlessly transitioning between indoor and outdoor spaces.

Introducing the Heron armchair, a pinnacle of ergonomic design and timeless sophistication. Crafted by Ernest Race, the Heron surpasses expectations with its innovative leg positioning, accompanied by a luxurious loose head cushion and seat cushion for enhanced comfort. Immerse yourself in the seamless fusion of contemporary style and ergonomic excellence, reminiscent of designs by Eames and Saarinen. The iconic silhouette of this office armchair is not just a visual marvel but also a testament to Ernest Race’s mastery of technically challenging upholstery techniques that stand the test of time.

Introducing the Antelope Bench – a timeless symbol of sophisticated design. Crafted with meticulous attention to detail, this iconic café bench draws inspiration from the renowned Antelope chair, a creation by the visionary Ernest Race in 1951. Its whimsical yet refined sculptural form, paired with distinctive ball feet reminiscent of the era’s molecular and atomic influences, exudes an air of timeless elegance.

Ernest Race applied the design of recast aluminum legs, akin to the BA3 chairs, when creating the BA tables. These stunning dining tables, presented a light and airy aesthetic in contrast to conventional, heavier furniture of the time. This design not only met the demand for lighter pieces but also fulfilled the need for furniture that could enhance a sense of space and be effortlessly repositioned.

Ernest Race designed the Gazelle table as a complement to the Antelope range during the 1951 ‘Festival of Britain.’ Featuring a shared steel rod frame and ball feet, the Gazelle table is suitable for both indoor and outdoor use. Its enduring design was on display at the Brussels World Fair in 1958, highlighting its timeless appeal and versatility.

Introducing the DA, an interpretation of the classic wingback chair designed by Ernest Race in 1946. Crafted with a light anatomical construction, the DA series is a departure from traditional bulky armchairs while maintaining exceptional comfort. Originally conceived in collaboration with Heals of London, this classic wingback chair is a testament to Ernest Race’s philosophy: “Bulk and weight are not synonymous with comfort.